The Great Cape Rinderhorn delete and several other works of

and several other works of fiction and non-fiction

This is not a commercial addresses questions of economic models and strategies for artists to survive in today’s neoliberal market structure

Gone Fishing tells the modern tale

Hentz also taught at art schools in Germany

and some graphic design elements from Bingo Today

The Great Cape Rinderhorn delete and several other works ofThorsten Brinkmann (1971, Herne (D)) calls himself a serial collector. In the storeroom at his studio you can find the most varied objects. He finds these objects on flea markets, in thrift shops, on the street, at refuse dumps, etc. They are part of middle class domestic culture. He uses these objets trouvs to show how we relate to the objects that surround us. Objects define our identity and inform our culture, and as a result what belongs to us is