Resounding the Sublime William West the author speaks to women

the author speaks to women in similar situations around the country

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The myriad ways in which Pietists and evangelicals read

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and she was the first and only woman granted a solo exhibition at Peter Eisenman's influential Institute of Architecture and Urban Studies in New York (also 1978)

Resounding the Sublime William West the author speaks to womenWhat does the sublime sound like? Harmonious, discordant, noisy, rustling, silent? Miranda Eva Stanyon rereads and resounds this crucial aesthetic category in English and German literatures of the long eighteenth century from a musical perspective and shows how sonorous sublimes lay at the heart of a central and transformative discourse. For Enlightenment and Romantic era listeners, the musical sublime represented a sonic encounter of the most extreme