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He is a member of the Royal Canadian Academy of Arts
all rendered with the same care he gave his large mammals
The violet was one of Glen's most frequently revisited wildflower subjects — it appears as a companion in his fawn paintings
and Glen was aware of that dimension when he painted it
the notation that this was painted at actual size from a living plant
Goldfinch — Gallery Canvas Oil He is a member ofA male American Goldfinch at peak summer plumage launches from a thistle wings spread, the electric yellow of the breeding male almost incandescent against the soft blue green atmospheric background. Thistle seeds drift in the air around it; a companion flower opens at centre. This 1970 watercolour is one of Glen's most chromatically confident pieces: that particular cadmium yellow green of the male in June is one of the hardest colours to render
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