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Motoyuki Shitamichi
ers itself as a visual essay that examines the material as subject as much as it investigates the formal possibilities opened up by the materiality of images
colonization and the fragility of human existence
The book 1 draws up an interim balance to this body of work and simultaneously is part of this ongoing examination of the vanished sculpture
the fiery DBBD
Come Closer Closer Please delete Motoyuki ShitamichiCome Closer, Closer Please is a book of photographs taken by Leigh Johnson over a decade. To look through Leigh Johnsons viewfinder is to see the world as a series of awkward angles, both physical and psychological. Although they range from guilelessly straightforward to layered to the point of indeterminacy, her images derive from a singular, distinctive point of view. Whatever the qualities of her surfaces, her sensibility is consistently off
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