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were avidly circulated by Mexican tabloids
Contributors: Alejandra López
became the site of a moving practice
transforming these memories and emotions into art that tells a story
the statues form a small matriarchy within an otherwise patriarchal city
K-NOW! Korean Video Art Today delete were avidly circulated by MexicanK NOW! Korean Video Art Today Published on the occasion of the eponymous exhibition at MASI Lugano, K NOW! Korean Video Art Today invites readers to reflect on the role of video art as a tool for perception, memory, and the narration of the contemporary. Featuring essays by Francesca Benini and Je Yun Moon (curators of the exhibition), as well as Adeena May, the catalogue provides an overview of the history of video art in Korea, while also examining
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