Fortuna Y Fetiche delete her “abstract” photographs emerge from

her “abstract” photographs emerge from a masterful approach to composition

this catalogue is a critical overview of a key American Pop artist and an important opportunity to analyze specific aspects of his work: Victorian and post-Victorian sexuality

honest portrayal of a city and its’ youth left in the aftermath of political violence

in both its theme and its making

jokes and visual puns of popular weed culture of the day

Fortuna Y Fetiche delete her “abstract” photographs emerge fromThe collaboration between Brbara Snchez Kane (Mrida, Yucatn, 1987) and Sofa Alazraki (Buenos Aires, Argentina, 1991) began as an exchange of letters between two friends. Love letters in odd formats. Like throwing a dart from one end of the world to the other. At first glance, these photos give the impression of an exquisite corpse, sculptures made with parts that are added without a rational order (their logic is unconscious, rather). Sometimes they