Tenko Dakpa’s photos allow him to

Dakpa’s photos allow him to negotiate his migration and detachment from it

he unfolds the complex histories of “Satan House” and the individual trajectories of ethnic Chinese minorities who found refuge from civil unrest in the 60s

suggesting how it might engage with politics and society rather than escape from them

the real creator of Pinocchio

similar to their use in Java

Tenko Dakpa’s photos allow him toHanayo found the Alice book on her way home from school. She was 15. Tenko moved to Tokyo and met Hajime Sawatari. She was 15. In London, when Alice was photographed, Hanayo was 3. Alice was Tenkos favourite book when she was 3. When Hanayo moved to London, she was 19. Tenko left Tokyo and Hanayo. She was 19. The universe cycles. The wonders of life. From the artist's statement Tenko, her beloved daughter, has always been an important subject for