Queen Anne's Lace — Bag Size:18" x 18" Drawing was the foundation on

Drawing was the foundation on which all of Glen's painting rested

Glen approached the marine environment with the same discipline he brought to Canadian forest subjects — the coral and anemone species are identifiable

A Red Fox moves through a winter cedar wood — the orange of the fox vivid against the snow

A whitetail fawn lies curled in a spring forest clearing — white spots vivid on its rust-red coat

This is a 1988 watercolour and one of Glen's finest single-bird compositions: the goose fills the upper half of the painting

Queen Anne's Lace — Bag Size:18" x 18" Drawing was the foundation onQueen Anne's Lace and chicory in a summer meadow the white umbels of the carrot flower at different stages of opening and closing, the blue chicory providing the chromatic counterpoint, the whole composition built from grasses and stems weaving through one another against a soft blue green summer background. This is one of Glen's most atmospheric and loosely handled wildflower compositions: the summer meadow rendered as atmosphere and suggestion as