Su Friedrich Carla Brailey with whom she was an

with whom she was an equal partner in ranching and managing an Indian fur-trading post before a life-changing series of events caused her to strike out for the north

this empathic guide has now been revised and expanded with 50% new material

and the importance of hope in the patient encounter

Although crises come in a variety of forms

understanding the identities of dhol players is an ethical necessity that acknowledges their place in Punjabi cultural history and helps to repair their representation

Su Friedrich Carla Brailey with whom she was anSu Friedrich (b. 1954) has been described as an autobiographical filmmaker, an experimental filmmaker, a documentary filmmaker, an independent filmmaker, a feminist filmmaker, and a lesbian filmmaker labels that she sprucely dodges, insisting time and again she is, quite simply, a filmmaker. Nevertheless, the influences of the experimental film culture and of the feminist and lesbian political ethos out of which she emerged resonate across her films