How Not To Exclude Artist Mothers (and other parents), by Hettie Judah (Lund Humphres Publishers Ltd and Sotheby's Institute of Art) rosemary mayer we are the ‘Dead-Man’s fingers’

we are the ‘Dead-Man’s fingers’ which must find a way to ‘rise again’

Edited by Gillian Sneed

The paradigm of transparency and the ambivalence of the term was addressed by participating artists in multiple

and coordinator took steps further their designated labor division roles

When decisions are based on misinformed assumptions about how the built environment influences our behaviour or we are told

How Not To Exclude Artist Mothers (and other parents), by Hettie Judah (Lund Humphres Publishers Ltd and Sotheby's Institute of Art) rosemary mayer we are the ‘Dead-Man’s fingers’For too long, artists have been told that they can't have both motherhood and a successful career. In this polemical volume, critic and campaigner Hettie Judah argues that a paradigm shift is needed within the art world to take account of the needs of artist mothers (and other parents: artist fathers, parents who don't identify with the term 'mother', and parents in other sectors of the art world). Drawing on interviews with artists internationally,