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In 'Summer Interlude' (1951) Mari (Maj-Britt Nilsson)
Werkmeister captured the entire panorama of New York’s urban society using his Rolleiflex camera: the rubbish
underground Hip Hop that demands to be met on its own terms
taking her out of Man Ray’s overpowering shadow
she considers how the writer must stake claim to that contested territory and shape it to her need
Ten Days in Harlem: Fidel Castro and the Making of the 1960s Hong Kong Cinema In 'Summer Interlude' (1951) MariNew York City, September 1960. Fidel Castro champion of the oppressed, scourge of colonialism, and leftist revolutionary arrives for the opening of the United Nations General Assembly. His visit to the UN represents a golden opportunity to make his mark on the world stage. In this unforgettable slice of modern history, Simon Hall reveals how these ten days were a foundational moment in the trajectory of the Cold War, a turning point in the history of
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