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33 1/3 Series: Elliott Smith's XO by Matthew LeMay unofficial is far from a sophomore

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is far from a sophomore slump

MAYHEM continue to embody chaos

"The ability to record at home whenever I wanted allowed me to go into a wide variety of different musical directions

with synthesisers figuring heavily in the productions

" while Stereogum asserted

33 1/3 Series: Elliott Smith's XO by Matthew LeMay unofficial is far from a sophomoreMany albums could be cited to support the claim that great suffering yields great art. Elliott Smith's XO should not be one of them. Smith's 1998 major label debut defies the "tortured singer songwriter" stereotype, and takes up this defiance as a central theme. At a time when Smith was being groomed for a particular (and particularly condescending) brand of stardom, he produced a record that eviscerated one of the central assumptions of

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