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Print, Vol. 8, No. 5 (A New England Number) SureyStones Grossman was a director of

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Grossman was a director of the Advertising Club of New York

One can’t put Berthold Wolpe in a box—but if one had to

it is an exceptional showing of what can be done with just two colors: Ebony and ivory

the pseudonym of Victor Miard

Since its initial publication in Berlin in 1928

Print, Vol. 8, No. 5 (A New England Number) SureyStones Grossman was a director ofEarly issues of Print are hard to find. Theyre not necessarily hard to come by, but have you ever tried googling print? Or entered print into a library database? Its pointless. When doing research, we often come across references to old articles in Print that would be terribly useful for whatever were studyingand that makes sense. When it started way back in 1940, it was the journal of graphic design in the States, a curious hybrid of printing

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