Hold On, I'm Comin' Alternative/Indie Rock New Wave/Post-Punk Revival Garage Rock Revival eager to allow the spotlight

eager to allow the spotlight to shine on the vocals

" uses scratches as an instrumental answer

" "Something's Happening

the more intricacy is discovered

Needles and Plastic is the first comprehensive history of the early years of the label and its bands covering the critical period from 1981-1988 when many of the most influential and critically acclaimed artists emerged on Flying Nun

Hold On, I'm Comin' Alternative/Indie Rock New Wave/Post-Punk Revival Garage Rock Revival eager to allow the spotlightHerbie Manns early 70s masterpiece captures his peak creative energy. By this stage, his success was unmistakable, reflected in the vibrant live recordings from the 1972 New York and Montreux festivals. The album showcases Manns pioneering jazz flute alongside Sonny Sharrocks dynamic guitar, Pat Rebillots soulful piano, and David Newmans tenor sax and second flute. Extended, energetic tracks like Soul Beat Momma, Never Can Say Goodbye, Respect