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the concrete poetry book For the Voice can be described as El Lissitzky’s tour de force of textual visualization
It will never be required reading here in the States
) A beautiful book about the last days of metal type
demonstrating the tactile depth and tonal range achievable through traditional letterpress methods on fancy paper that we hear is no longer made but don’t care enough about to look up to confirm
So haunting
Friedrich Poppl at the Klingspor Museum (1965) K. Small Pubs the concrete poetry book ForA while back we took in good stash of posters from the Klingspor Museum in Germany. As we flipped through them, one made us look twice. This one. What a beauty. The rubbish photograph we took doesnt do it justice. Friedrich Poppls is a name weve come across more than once in our short life, and we could probably spot one or two of his faces, but this poster from the 1965 exhibition of his work has been a nice kick in the pants to dig deeper. If you
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