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La Triennale at the Palais de Tokyo
and meaning when private life is inseparable from public crisis
by poring over her distinctive flow of time
and is piercing commentary on the pressures of lives lived on the edge
which combined with the ideas of a particular artist
Merce Cunningham. We Begin Again. - Hannah Lack & Ananda Pellerin La Triennale at the PalaisDance visionary and fearless iconoclast Merce Cunningham founded his radical troupe at Black Mountain College in 1953. Over the next five decades, Cunningham reimagined the possibilities of his medium, forging a career as a giant of twentieth century choreography. Two of his gifted dancers, Patricia Lent and Rashaun Mitchell, contribute their personal memories and photographs to this volume, accompanied by Cunningham's own words, notations, and
