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'Face + Vase'
is considered a turning point in art history
'Lighthorseman' 2019
'The Brothers Laugh' 1989
her work is the embodiment of patience
Marie Mansfield 'Discarded' pop 'Face + Vase'Marie Mansfields work centres around people and places in an unexpected dance. Her landscapes are often devoid of people, yet alive with traces of their presence a spectral energy that conjures melancholy, nostalgia and bemusement. In Discarded, a chest of drawers lies like a toppled cow on the side of the road. Mansfields simple composition betrays intrigue the meeting of public and private, furniture laid like a racecar beside the highway, the
