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and Trenholm
KENNETH RAPOPORT
she’d already designed enough logos to fill a 32-page book of them and arrange them in alphabetical order
marking the occasion with events and a poster exhibition
along with their take on Latin types and Western typography
Reklama (1989, No. 4) 102123 and TrenholmAs Perestroika era openness deepened, this 1989 issue of Reklama captures a Soviet design community shifting its focus from historical retrospectives to urgent social and commercial realities. The issue is visually anchored by striking, full bleed color photography spreads showcasing conceptual still lifessuch as an apple wrapped in a snakeand warehouse shelves packed with classroom globes, alongside an educational feature detailing professional
