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demonstrates Hockney’s ability to unite temporal and spatial experiences into a single image
Julian Schnabel: New Plate Paintings
poetic texts written by Alexander Nemerov in response to individual artworks
and archival images—including a suite of historic photographs taken by Marc Vaux in the 1930s and drawings of animals in motion by Calder—are contextualized through scholarly contributions by Alexander S
In Saul Steinberg
GRIDS: Format and Image in the 20th Century Books demonstrates Hockney’s ability to uniteMade to accompany a 1979 group exhibition on view at Pace in New York and The Akron Art Institute, Ohio, this catalogue brings together historic works by Josef Albers, Carl Andre, Robert Irwin, Lee Krasner, Ellsworth Kelly, Eva Hesse, Sol LeWitt, Agnes Martin, Ad Reinhardt, Louise Nevelson, and Frank Stella, among others. The book includes a text by Rosalind Krauss, and its design alludes to the theme of the exhibitionthe grid as a pictorial device
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