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There was not enough paper to keep track of all the names
it attempts to establish the foundations for Arabic type design by drawing lessons from past practices and aesthetic conventions
It is a fascinating study and a model of book design (aside from the fact that it’s huge and weights a good 15 pounds in its clamshell box)
In addition to the 193 marks in the show
Although well-known in the world of fine books
The let us regard as the Aider of Art . . . (Charles R. Capon) fontfolders There was not enough paperWhen one works on books about slabs, stencils, shadows, and scripts, one needs a lot of examples around. Like, when Louise Fili was working on Scripts, she picked up this item from the Printing Exposition and Craftsmen Number of The American Printer. Its pretty as a pictureand it was illustrated and lettered by Charles R. Capon. We first learned of him when we got this beautiful map he made. And were sitting next to a book about his bookplates that
